Please see some online scripts on this website linked below. Other scripts that are not on the website are listed here as well as linked to the scripts available on the Deaf Theatre website.
I See the Moon by Johnny Belinda : a play in three acts
Plays of Our OwnCornado Hill Country by
RIT Archives, 3rd floor PS3552.A549 A19 1978b
Dynasty by
RIT Archives, PS3552.A549 A19 1978b
Sign Off by
https://archivesspace.rit.edu/repositories/2/archival_objects/13082
You ok, fine fine by
RIT Archives, PS3552.A549 A19 1978
Vignettes of the Deaf Character and Other Plays by Plays of Our OwnCase of Matter Over Mouth by
RIT Archives, PS3552.A549 A19 1978b
Love and Let Love by
RIT Archives, PS3552.A549 A19 1978b
Potluck Dinner by
RIT Archives, PS3552.A549 A19 1978b
A Play of Our Own III by
RIT Archives, PS3552.A549 A19 1978b
Trouble's Just Beginning: A Play of Our Own by The Week the World Heard Gallaudet by Language of One by A Laying of Hands by Counterfeits (Civil War) by Meta by 
Silent Salzburg by
Silent Salzburg is a powerful two-act drama that tells the story of an Austrian Christian family that goes into hiding in 1940 to protect their Deaf teenage son from sterilization or worse by the Nazis. It is not a true story, but is based upon historical events and circumstances. Playwright Richard Medugno is the father of a Deaf daughter and a hearing son. He wrote Silent Salzburg for Deaf and hearing actors to be performed for both Deaf and hearing audiences. The play received its first public performances at the California School for the Deaf Fremont's Little Theatre in the fall of 2006. Audience responses and reviews from Deaf and hearing individuals were overwhelmingly positive and appreciative. "Richard Medugno's genius is in using the parallel between the Holocaust victims and the struggle of the Deaf culture to make the world understand that each of us is perfect as we are. Stop trying to make us somebody else's perfect and see the beauty in us just as we are. We all have value, and we are all unique.' There is a parallel message and he has merged themes brilliantly in this story by depicting a family with a Deaf son fleeing a small city in Austria to avoid a program for sterilizing all Deaf citizens so they cannot have children. This then creates the situation where the whole family becomes silent while in hiding in Salzburg and the opportunities for learning sign language emerge. The play sheds a bright light on the importance of communication between father and son, mother and daughter, and sister and brother; the importance of the family bond, overcoming the things that divide us, and ultimately, the importance of understanding and being understood." Lori Steed Past President of IMPACT
Vignettes of the Deaf Character and Other Plays by Borderline by
RIT Archives, PS3552.A549 A19 1978b
Neither Fish nor Fowl by Vignettes of the Deaf Character and Other Plays by The Color of Love by Side by Side by That Makes the Two of Us by Trouble's Just Beginning: A Play of Our Own by Plays of Our Own
Whispers of a Savage Sort by
Doogle confronts its characters with the intrusion of technological communication devices parallel to the virtually forced intimacy of such a small, close community.
Broken SpokesHear No Scream: AIDS in the Deaf Community by Whispers of a Savage Sort by Plays of Our OwnMidnight Ride of Billy Dawes by
RIT Archives, PS3552.A549 A19 1978
The Middle of Nowhere: Part 1 by The Middle of Nowhere: Part 2 by 
Bigger Dreams by The Great Texan Scout: Deaf Smith by T.H. Gallaudet and Monsieur Clerc
RIT Archives, PS3552.A549 A19 1978b
25 Cents by Plays of Our OwnDr.Corson's famous Tuesday nite at the office by
RIT Archives, PS3552.A549 A19 1978b
Obstacle by Vignettes of the Deaf Character and Other Plays by Plays of Our OwnCaught In Between by
RIT Archives, PS3552.A549 A19 1978b
Sign & sound a lovin' by
RIT Archives, PS3552.A549 A19 1978b
Tribes by
'I thought everyone's parents spoke like that. Then I realised.' A penetrating play about belonging, family and the limitations of communication. Billy's family, like every other, is a club, with its own private language, jokes and rules. You can be as rude as you like, as possessive as you like, as critical as you like. Arguments are an expression of love, and after all, you love each other more than anyone in the world. Don't you? But Billy, who is deaf, is the only one who actually listens. When he meets Sylvia, he decides he finally wants to be heard. Nina Raine's play Tribes was first performed at the Royal Court Theatre, London, in October 2010. It won Best New Play at the Off-West End Theatre Awards. Tribes had its US premiere at the Barrow Street Theatre, Off-Broadway, in 2012, winning the 2012 Drama Desk Award for Outstanding Play and the New York Drama Critics' Circle Award for Best Foreign Play.
Develop, Divide, Destroy: Part 1 by Develop, Divide, Destroy: Part 2 by Petite Caporal by
RIT Archives, PS3552.A549 A19 1978
Christmas Oasis by
RIT Archives, PS3552.A549 A19 1978b
Birth of deaf play by
RIT Archives, PS3552.A549 A19 1978
Mafia Doctor Confesses by
RIT Archives, PS3552.A549 A19 1978b
Snooty by
Brings to life the difficulties of surviving the social pecking order in a deaf residential school. The main character's only escape is a rich fantasy life in which he is in control
Twin D'Armorias by
RIT Archives, PS3552.A549 A19 1978
Plays of Our OwnPlays of Our OwnBoston by
RIT Archives, PS3552.A549 A19 1978
How to Break an Evil Bronco by
RIT Archives, PS3552.A549 A19 1978b
Friday Night Live! by
RIT Archives, PS3552.A549 A19 1978b
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